“em, Hurley, when a girl asks you how they look you say "good" ok??” Libby from Lost

Next up in my Romances of Lost or Lost as a Romance Novel Series is....

Hurley and Libby’s relationship was classic Beauty and the Beast. Okay not classic as in the cliché tortured hero – disfigured by war or accident but still has a smoking hot body – but this hero is usually bitter and mean to everyone including the heroine until her love changes him.

Not so with Hurley who could never be confused with a male model – it’s his sweetness and innocence that warrants teddy bear status. Beastly but only in facial hair.

Libby sees the real Hurley and in the sideway worlds we see a touching scene of Libby kissing Hurley and he flashes back to the island and remembers…

If you haven’ seen Lost it’s complicated – hell if you’ve watched Lost it’s complicated.

"Remember when all you had to give me was a flower?" Sun from Lost

The Loves of Lost - or Lost as a Romance Novel

First up is Jin and Sun.

A plot device used sometimes in romance novels is that of the hero and heroine being from opposite sides of the track (so to speak) Jin is the son of the poor fisherman seeped in Korean tradition and Sun is the daughter of a rich Korean mob boss. Star-crossed lovers who had many problems but in the end they were meant to be together.

I know they are people who thought Jin should have left Sun to drown because of their daughter back home, but there is another school of thought who think they were the perfect parents because they put their marriage first. When the daughter is grown she will realize she came from a love more powerful than life.

I think the important lesson of Lost is that when we find each other we are no longer lost.

I cried during this scene made all the more powerful by the choice of music that not only tugs at the heartstrings but stirs the soul.

"If you want a place in the sun, you have to expect a few blisters." Loretta Young

The above quote is so true! Here are some other great quotes from Loretta Young - oh and let me know how you like the new look of my blog - should I go back to the old template? Try again? Go back to the old one?

The easiest way to crush your laurels is to lean on them. Loretta Young

A charming woman... doesn't follow the crowd. She is herself. Loretta Young

Certainly tears are given to us to use. Like all good gifts, they should be used properly. Loretta Young

I do not hold with those who think it is all right to do whatever you want so long as it doesn't hurt anyone. Who's to be the judge of that? Loretta Young

The split second she ceases to care is the only time a woman ceases to be attractive. Loretta Young

She considered herself a devout Catholic but she was no angel for sure. (Had an affair with the married Clark Cable and had his child) So it is no wonder Marlene Dietrich said of Loretta Young....

"Every time she `sins,` she builds a church. That`s why there are so many Catholic churches in Hollywood." - Marlene Dietrich

Every end is a new beginning – proverb

Yeah, but no I haven’t finished my latest work-in-progress, or rather work-in-slow-motion, Love By Design.

I still have 15000 words until The End, but I’ve been thinking about chapter endings and chapter beginnings. I always try to end a chapter in such a way that it will make the reader want to turn the page – and it doesn’t have to be a so call ‘cliff hanger’ just something that intrigues the reader to - well – read on.

But it is also important not to leave the reader hanging when she turns that page to the next chapter. Of course, readers of such authors James Rollins or Tom Clancy know that they do leave the reader hanging because they have multiple POV’s and action going so they jump around.

Romance is a little different especially when you are only using the hero/heroine’s POV (and it’s not a romantic suspense)

I thought I’d share an example from Love By Design

It’s the end of Chapter 20 – I’m in Victoria’s POV. She is arguing with her mother who is a rich socialite with powerful friends. The mother disapproves of Russ and tells him to stay away from Victoria.

“I’ll have you deported.” Evelyn pointed at Russ, her bony finger barely holding up under the weight of the four-carat diamond ring.
“If you do I’ll follow him to Australia,” Victoria threatened back.
Evelyn drew back her hand lifting it to her chest and turned toward her daughter. “You wouldn’t.”
Delighted by her mother’s appalled reaction Victoria couldn’t help but take it one step further. “No, you right, I wouldn’t. I’ll marry him.”
It wasn’t the look on her mother’s face that was priceless but the silence that followed.

Of course we know previously that at this point Victoria is just saying this to piss off her mother. So are you wondering what Russ is thinking at this point? I know I was so I started Chapter 21 in his POV with this...


M-m-m-marry him? Russ resisted the urge to make a break for the door and catch the next flight out of the country. No green card was worth marriage not even if it got you into Heaven. Hell, he’d swim back to Australia if he had to.


So that is my little take on chapter endings and beginnings.
I leave you with this quote by I Ching –
“No good ending can be expected in the absence of the right beginning. It is too late.”

"No, I said, if Keanu doesn't take off all his stuff neither do I." - Vera Farmiga

LOL. Vera Farmiga joked the above when an audience member asked about the choice made for the love scene (Keanu and Vera are under the sheets and after we see her pull down the sheet and she has a bra on and Keanu a t-shirt).
Keanu wanted to make it clear that they did not ask her to undress (he's so sweet) and that's when she joked the above.
Vera also said "People do do it with clothes on."

On the second day I went to the screening of Henry's Crime staring Keanu Reeves, Vera Farmiga, and James Caan. I didn't know what to expect so imagine how happy I was to find out that they were going to give a Q&A after the film. Keanu and I in the same room. (I will forgot about the other 300 people in the room and that I was all the way in the back - damn it I could've gotten a front row seat - damn, damn, damn! but I digress)

Here is the synopsis of the film:
Sleepwalking his way through life, Henry (Keanu Reeves) gets an unexpected wake-up call when he becomes an unwitting participant in a bank heist. Rather than give up the names of the real culprits, he takes the fall and discovers his true calling. Having done the time, Henry reasons he may as well do the crime. Discovering a forgotten tunnel connecting the bank to a nearby theater, he recruits his old cellmate Max (James Caan) to aid in the robbery, all the while playing the lead in the theater’s current production where he finds himself falling for his leading lady, Julie (Vera Farmiga).

I loved it. It started slow but that was because we are in Henry's ordinary world and indeed 'sleepwalking' through his life- before the inciting incident - once that happens it moves fast and is a very funny film. James Caan is hysterical. Vera Famiga has some great lines and Keanu's very funny line comes at the very end.

After the film Keanu and Vera took the stage to take some questions. I didn't take any notes because I wanted to live in the moment and bask in Keanu (lol). Both of them were engaging and appreciative of the audience's response to the film.

Part of the film shows Caan asking Keanu what his dream is - an audience member asked what their dreams were.
Vera said an eye surgeon but then she got benched from soccer and got her heart broken and a friend made her try out for the school play from there she was encouraged to continue in acting - Keanu makes fun of her for the eye surgeon dream - Keanu said he knew at 15 he wanted to be an actor and asked his mom if it was okay (he's so sweet) but before that he said a conductor of an orchestra, race car drive, or a nuclear physicist.

Which made me laugh only because my son Steven wanted to be a nuclear physicist but ended up taking Broadcast Journalism.

After they were done Keanu waited outside signing autographs and letting people have their pictures taken with him. He is so very sweet. And too skinny. The man needs one of my chocolate chip cookies. And boy would have that made my husband jealous.

This is how the conversation would have went if I had:
Husband: "You gave him one of your chocolate chip cookies?"
Me: "It's just a cookie."
Husband: "You don't love me anymore?"
Me: "But it was just a cookie."
Husband: "Couldn't of you just have kissed him?"
Me: "Next time hun, next time."

"Women directors are alphas - they have to be." Jeanne R. Berney

Here is my report from the Woodstock Film Festival.

Since it was my first year attended I only signed up for 1 event on Saturday and one on Sunday.

Amazing Women In Film
Moderator:
Thelma Adams (not in picture)has twice served as the New York Film Critics Circle Chair. She has written for “The New York Times,” “The New York Post,” “O: The Oprah Magazine,” “Marie Claire,” “The Huffington Post,” “Interview,” and “More.” Amy Dotson (in the middle) is the Deputy Director of IFP, the nation’s oldest not-for-profit membership and advocacy organization of independent filmmakers. She provides ongoing support and mentorship to over 350 independent filmmaker alumni each year and serves the independent film industry and community by connecting them with new, ‘off-the-radar’ creative talent.Joslyn Barnes (on the left) co-founder of Louverture Films, is a screenwriter and Emmy-nominated producer. She is the author or co-author of numerous commissioned screenplays for feature fi lms including the upcoming “Toussaint,” “The Cosmic Forest,” and the award-winning “Bàttu.” Jeanne R. Berney (on the right) For the past several years, Jeanne R. Berney has served as Director of Public Relations and Marketing at the Film Society of Lincoln Center

Random Information Discussed

Dotson: Sees increase in women of all ages and outside of the normal NYC/LA mainstream becoming involved in film

Barnes: She feels women involved with film is trending down –citing stats such as
-Only 2% of cinematographers are women
-Women directed only 15% of the top 250 movies.
-Only 30% of reviewers are women

Barnes: Points out that if this were a panel of men their family wouldn’t even come up. There is an inequitable expectation for women versus men.

Dotson: Networking and mentorship is so important
If you are stalled or told no – ‘just find a way to make it happen. You have to decide if you are in it for the money or for the love of it – this will decide the movies you want to make.

Barnes: When women are producing or directing they hire more women.

Adams: Still a large disconnect between women’s fiction – example - Eat, Love, Pray was directed by a man.
- The Runways – the moment (1976) when her high school music teacher tells Joan Jett that girls don’t play electric guitar falls flat – the male director didn’t understand the importance of that moment for women (GREAT POINT)

Dotson and Berney discussed the Dove Campaign

Barnes: Biggest obstacle is the link between financing and distribution. The story could be great but if sales estimates aren’t then the film doesn’t get made

Dotson: Discussed a recent trend of hiring a Audience Builder Producer.

Barnes: Not only are your competing will other films but with other forms of entertainment. Says while video games may give the player a certain feeling of democracy and freedom they are being monitored. (I thought this was an interesting comment)

The floor was opened to questions. There was one woman who said she finished a script. Barnes asked her what is was about but she wouldn’t say because it was autobiographical. Or was she afraid someone was going to steal her idea? I don’t know.

There was more to this panel discussion than I scribbled down here. My thoughts are scrambling around inside my head! It was enlightening discussion and I’m glad I attended. Next year I'll sign up for more panels and films. It’s always fun to be around creative people whatever the form.

It was a great day - even if I can't report a Keanu sighting...sigh

To deny women directors, as I suspect is happening in the States, is to deny the feminine vision. Jane Campion

Today I'm attending the Woodstock Film Festival for the first time. I have tickets to the panel on Amazing Women in Film and on Sunday I'm going to see Henry's Crime.

I'm so excited....I'll be more excited if I don't get lost!